tag:blogger.com,1999:blog-44184112416635971122024-03-13T08:22:52.068+09:00Works. Haruko Maeda前田 晴子 Haruko Maedahttp://www.blogger.com/profile/05205889222836197921noreply@blogger.comBlogger51125tag:blogger.com,1999:blog-4418411241663597112.post-440646505811573792017-10-11T23:50:00.001+09:002017-10-11T23:55:05.887+09:00new homepage www.harukomaeda.com <div style="text-align: center;">
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Please check my new homepage harukomaeda.com</div>
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<br />前田 晴子 Haruko Maedahttp://www.blogger.com/profile/05205889222836197921noreply@blogger.com153tag:blogger.com,1999:blog-4418411241663597112.post-63377130122410613132017-09-14T22:13:00.003+09:002017-09-14T22:13:42.506+09:00"Neverland3" <div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhvgHGY4ufUASM4bext2h_HNkQXDpZgnWDSi8_qNEd-Gzf1eBrtg7GeGzXs2fesDEbSY8PEotTe4ar5fM2WlsMgPx8iC3QKxu6gU7c0Wcs4QCv4EMKKrJyJqnzferQrCpcd4IND8DzNs-Kv/s1600/haruko-2.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="1393" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhvgHGY4ufUASM4bext2h_HNkQXDpZgnWDSi8_qNEd-Gzf1eBrtg7GeGzXs2fesDEbSY8PEotTe4ar5fM2WlsMgPx8iC3QKxu6gU7c0Wcs4QCv4EMKKrJyJqnzferQrCpcd4IND8DzNs-Kv/s640/haruko-2.jpg" width="556" /></a></div>
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"Neverland 3" 230 x 190 cm, oil on canvas 2017<br />
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<br />前田 晴子 Haruko Maedahttp://www.blogger.com/profile/05205889222836197921noreply@blogger.com24tag:blogger.com,1999:blog-4418411241663597112.post-52715834124995063832017-09-14T20:28:00.001+09:002017-09-14T20:28:32.684+09:00"Renaissance 3" <div class="separator" style="clear: both; text-align: center;">
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"Renaissance 3" 150 x 140 cm, oil on canvas<br />
<br />前田 晴子 Haruko Maedahttp://www.blogger.com/profile/05205889222836197921noreply@blogger.com63tag:blogger.com,1999:blog-4418411241663597112.post-90774755506575745512017-09-14T20:15:00.001+09:002017-09-14T20:15:44.707+09:00"My grandmother in the glass" <div class="separator" style="clear: both; text-align: center;">
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"My grandmother in the glass" oil on canvas 43 x 35cm<br />
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My father gave me the bones and ashes of my grandma. It´s her portrait.前田 晴子 Haruko Maedahttp://www.blogger.com/profile/05205889222836197921noreply@blogger.com34tag:blogger.com,1999:blog-4418411241663597112.post-85751241456584065022017-09-14T19:53:00.001+09:002017-09-14T19:53:35.909+09:00"Maria Eleonora and her husband king Gustav II. Adolf of Sweden"<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg6tHZZlp7_grzoWMZ6Q977PJodTETKjl7Hc-FFmVs3MqRHc_X9XNcBgHM_zitd16ZRsJMKFW6OhQtC3xA7vczZvHiJ9hGQ_5ZcTczhhdwtmPZWvi_zZGF3m05Ic7okiujUs2S45jEwVXvH/s1600/haruko-18.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="1279" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg6tHZZlp7_grzoWMZ6Q977PJodTETKjl7Hc-FFmVs3MqRHc_X9XNcBgHM_zitd16ZRsJMKFW6OhQtC3xA7vczZvHiJ9hGQ_5ZcTczhhdwtmPZWvi_zZGF3m05Ic7okiujUs2S45jEwVXvH/s640/haruko-18.jpg" width="510" /></a></div>
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"Maria Eleonora and her husband king Gustav II. Adolf of Sweden"<br />
200 x 160 cm 2017<br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiXmGEouuBG4MGFpN7RUbSk0etgtEyzXSVL8xTp17It_dGMQCqaLviX7iUd-M_rapHqHYYV4ytidH5qYRVdRV1VlemTj4O8Cd-Ffb72dPNGrYheLtOZREffl_ueNpjn9rRzqdowU3MhuMDq/s1600/haruko-22.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1067" data-original-width="1600" height="213" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiXmGEouuBG4MGFpN7RUbSk0etgtEyzXSVL8xTp17It_dGMQCqaLviX7iUd-M_rapHqHYYV4ytidH5qYRVdRV1VlemTj4O8Cd-Ffb72dPNGrYheLtOZREffl_ueNpjn9rRzqdowU3MhuMDq/s320/haruko-22.jpg" width="320" /></a></div>
<br />前田 晴子 Haruko Maedahttp://www.blogger.com/profile/05205889222836197921noreply@blogger.com31tag:blogger.com,1999:blog-4418411241663597112.post-85829920439411193682017-09-14T19:42:00.001+09:002017-09-14T19:42:53.258+09:00"Queen elisabeth the first 3"<div class="separator" style="clear: both; text-align: center;">
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"Queen elisabeth the first 3" 200 x 160 cm, oil on canvas 2017<br />
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<br />前田 晴子 Haruko Maedahttp://www.blogger.com/profile/05205889222836197921noreply@blogger.com37tag:blogger.com,1999:blog-4418411241663597112.post-37160577369169764542017-09-14T19:27:00.003+09:002017-09-14T19:27:58.795+09:00"Love explosion 3"<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhqZYtzNbaP7mXgU1iN5hjtywysRRdJ1TTmVcYmwRW9cvkkQS5PSIGuPYvNAVG8tKm9nmgD-yGp7mdhuIvp3D98sCmUPiqt7UEflcmG-3KBwqGUKdSTe1VArW8b3ntwlj1OgyhyphenhyphenDNskUsN7/s1600/haruko-61.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="1271" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhqZYtzNbaP7mXgU1iN5hjtywysRRdJ1TTmVcYmwRW9cvkkQS5PSIGuPYvNAVG8tKm9nmgD-yGp7mdhuIvp3D98sCmUPiqt7UEflcmG-3KBwqGUKdSTe1VArW8b3ntwlj1OgyhyphenhyphenDNskUsN7/s640/haruko-61.jpg" width="508" /></a></div>
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"Love explosion 3" 127 x 97 cm, Aquarell, Acryl on paper, 2017前田 晴子 Haruko Maedahttp://www.blogger.com/profile/05205889222836197921noreply@blogger.com54tag:blogger.com,1999:blog-4418411241663597112.post-59667505308950465932017-09-14T19:17:00.001+09:002017-09-14T19:17:38.384+09:00"Some day in Henry´s life"<div class="separator" style="clear: both; text-align: center;">
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"Some day in Henry´s life" oil on canvas 2013<br />
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<br />前田 晴子 Haruko Maedahttp://www.blogger.com/profile/05205889222836197921noreply@blogger.com44tag:blogger.com,1999:blog-4418411241663597112.post-56867008784556650412017-09-14T19:12:00.001+09:002017-09-14T19:12:23.741+09:00"Renaissance 2"<div class="separator" style="clear: both; text-align: center;">
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"Renaissance 2" 43x 43.5 cm, Oil on wood with wood frame</div>
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Observing of the cat dung <br /><div class="separator" style="clear: both; text-align: center;">
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Making of wood frame 前田 晴子 Haruko Maedahttp://www.blogger.com/profile/05205889222836197921noreply@blogger.com37tag:blogger.com,1999:blog-4418411241663597112.post-14686702615695202912017-09-14T19:00:00.002+09:002017-09-14T19:00:52.475+09:00"Renaissance"<div class="separator" style="clear: both; text-align: center;">
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"Renaissance" 70 x 60 cm, oil on canvas前田 晴子 Haruko Maedahttp://www.blogger.com/profile/05205889222836197921noreply@blogger.com19tag:blogger.com,1999:blog-4418411241663597112.post-54761608186550122972017-09-14T18:57:00.000+09:002017-09-14T18:57:01.655+09:00Im Sumpf<div class="separator" style="clear: both; text-align: center;">
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"Im Sumpf" 200 x 180 cm, oil on canvas 2016前田 晴子 Haruko Maedahttp://www.blogger.com/profile/05205889222836197921noreply@blogger.com16tag:blogger.com,1999:blog-4418411241663597112.post-72224615407832145572015-06-11T19:48:00.001+09:002015-06-11T19:48:30.874+09:00Exhibition "3 x 3"<div class="text_exposed_root text_exposed" id="id_55796333447997e49301355" style="background-color: white; color: #141823; display: inline; font-family: helvetica, arial, sans-serif; font-size: 14px; line-height: 17.5636348724365px;">
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Invitation of the Exhibition "3 x 3"</div>
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30 Jahre Galerie Eugen Lendl<br />1. Teil: Michael Kienzer, Haruko Maeda, Florian Pfaffenberger<br />16.6. - 11.7. 2015</div>
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Kuratiert von Vitus Weh</div>
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Eröffnung: Dienstag, 16.6. 2015, 19:00</div>
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"Johaness 1" Acryl on paper 45 x 52 cm</div>
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"Michaela" Acryl on paper 71 x 52 cm</div>
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"Johaness 2" Acryl on paper 68 x 48 cm</div>
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Zum 30-jährigen Bestehen der Galerie Eugen Lendl werden in deren Galerieräumen im Palais Lengheimb auf Initiative von Hansjörg Kopera drei Jubiläumsausstellungen mit je drei Künstlerpositionen gezeigt. </div>
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Die erste 3 x 3-Zusammenstellung wird vom Wiener Kunstkritiker und Museumsberater Vitus Weh kuratiert. Seine Auswahl an Werken von Michael Kienzer, Haruko Maeda und Florian Pfaffenberger ist experimentell intendiert und ähnlich von persönlichen Prägungen durchwoben wie die lange Geschichte der Galerie Lendl. </div>
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Ebenso vereint sie große Gegensätze: Skulptur und Malerei, Schwere und Leichtigkeit, ehrliche Materialästhetik und glamouröse Popkultur treffen unmittelbar aufeinander. </div>
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Ob sich diese Polaritäten auf die Zehen steigen oder gegenseitig anziehen, wird die Ausstellung weisen. (Pressetext von Vitus Weh)</div>
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前田 晴子 Haruko Maedahttp://www.blogger.com/profile/05205889222836197921noreply@blogger.com63tag:blogger.com,1999:blog-4418411241663597112.post-64667774602214391992015-05-28T07:35:00.005+09:002015-05-28T08:07:25.859+09:00Exhibition "Das Letzte im Leben" at Hofburg in Innsbruck<a href="http://www.hofburg-innsbruck.at/623/php/portal.php?language=de" target="_blank">http://www.hofburg-innsbruck.at/623/php/portal.php?language=de</a><br />
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Exhibition "Das Letzte im Leben" at Hofburg in Innsbruck Austria</div>
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From 6. June. 2015 until 16. January. 2016<br />
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Press Release Commemorative Year 2015</div>
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During its commemorative year the Hofburg Innsbruck offers an agenda rich in content</div>
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<b>The Last Things in Life</b></div>
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<i>An Exhibition about Death and Mourning 1765–2015</i></div>
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Tyrol's close connection to Austria's history and the Habsburg family will be visible</div>
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all year long. The Innsbruck Hofburg – former royal residence – is commemorating</div>
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emperor Francis Stephen's sudden death in Innsbruck in the year 1765. Today – 250</div>
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years after these occurrences – the Hofburg presents itself as the most impressive</div>
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exhibition space of the country. Centre of the exhibition will be Haruko Maeda's</div>
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work of art.</div>
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Today the state rooms of the Innsbruck Hofburg are still a reminder of the death of an</div>
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Emperor: Francis Stephen of Lorraine died there suddenly in 1765, and his widow –</div>
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Empress Maria Theresa – had the prestigious rooms of the imperial residence converted</div>
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into a memorial for her husband.</div>
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250 years later, an exhibition re-activates the Habsburg cult of death – and invites us to</div>
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reflect on our own response to death and mourning. The exhibition shows how old death</div>
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rituals have changed: aristocratic protocol replaced by burgher etiquette, and rural</div>
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traditions contrasted with urban modernity.</div>
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The exhibits tell their own stories about the fear of death, about premature deaths. New</div>
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death rituals are presented. The exhibition also shows how the memory of the dead was</div>
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preserved and confronts us with the fact that death is something that defies the</div>
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imagination and yet is ubiquitous.</div>
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The exhibits include everyday and traditional items, early mass media, valuable rarities,</div>
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and works of art and videos. Voices from the beyond are also to be heard. The exhibits</div>
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are on loan from Austrian and international collections.</div>
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The exhibition is a cooperation between Burghauptmannschaft Osterreich, Tiroler</div>
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Landesmuseen and Tiroler Hospiz-Gemeinschaft.</div>
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<b>Facts</b></div>
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<b>THE LAST THINGS IN LIFE. An Exhibition about Death and Mourning 1765–2015</b></div>
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DURATION: June 6th 2015 to January 10th 2016</div>
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PLACE OF EXHIBITION: Hofburg Innsbruck, Rennweg 1, Innsbruck, Austria</div>
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OPENING HOURS: daily 9 a.m. to 5 p.m.</div>
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till September on Wednesdays 9 a.m. to 7 p.m.</div>
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ADMISSION</div>
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adults 9 Euro</div>
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reduced 6,50 Euro</div>
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free admission till the age of 19 years</div>
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tour prize 3 Euro, children 2 Euro</div>
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group tours 40 Euro</div>
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CONTACT</div>
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Hofburg Innsbruck</div>
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+43/512/58 71 86-19</div>
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hofburg.ibk@burghauptmannschaft.at</div>
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www.hofburg-innsbruck.at</div>
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Photograph</div>
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HARUKO MAEDA</div>
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Francis Stephen of Lorraine, 2014/15</div>
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Oil on canvas</div>
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404 × 174 cm, Courtesy of the artist,</div>
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photo: Marco Prenninger</div>
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Press Contact:</div>
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Birgitt Drewes, head of communications, +43/664/54 04 344,</div>
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birgitt.drewes@gmail.com</div>
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前田 晴子 Haruko Maedahttp://www.blogger.com/profile/05205889222836197921noreply@blogger.com358tag:blogger.com,1999:blog-4418411241663597112.post-51358180663068941372015-03-22T03:36:00.004+09:002015-03-22T03:36:50.273+09:00Exhibition "Traces of paradise" Haruko Maeda & Philipp Hanich<div class="separator" style="clear: both; text-align: center;">
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<br />前田 晴子 Haruko Maedahttp://www.blogger.com/profile/05205889222836197921noreply@blogger.com57tag:blogger.com,1999:blog-4418411241663597112.post-34948468206496348652014-09-30T19:56:00.000+09:002014-09-30T19:56:56.745+09:00Works 2014, Nr. 4<div class="separator" style="clear: both; text-align: center;">
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watercolor and guash on papers in frame.</div>
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ca. 65 x 50 cm.</div>
<br />前田 晴子 Haruko Maedahttp://www.blogger.com/profile/05205889222836197921noreply@blogger.com3tag:blogger.com,1999:blog-4418411241663597112.post-326907998004376002014-09-30T19:53:00.001+09:002014-09-30T19:53:42.397+09:00works 2014 Nr.3<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhq_Cj4VQOTvrk7xcyAY9GiQBEMO6BQk4xVk7Gznh2cFj9oASaUeOCVrbpNyHdD429Ed5q8sUWpQuCs8kuPpC9CMvvv1C57g1zwfaN0tUX5DosUtccDPju04-S4Pe8rBkJCxnSB-enrn3B8/s1600/RIMG0501.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhq_Cj4VQOTvrk7xcyAY9GiQBEMO6BQk4xVk7Gznh2cFj9oASaUeOCVrbpNyHdD429Ed5q8sUWpQuCs8kuPpC9CMvvv1C57g1zwfaN0tUX5DosUtccDPju04-S4Pe8rBkJCxnSB-enrn3B8/s1600/RIMG0501.JPG" height="640" width="432" /></a></div>
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<div id="yui_3_2_0_1_14120727525275820" style="background-color: white; color: #454545; font-family: 'MS UI Gothic', Osaka, Arial, sans-serif; font-size: 16px; text-align: center;">
"Die Braut von Dr.Braun" (the bride of Dr. Braun)</div>
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180 x 120 cm, oil on canvas.</div>
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<span style="text-align: start;">from the song of "Dr.Braun" of Sir Tralala</span></div>
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<br />前田 晴子 Haruko Maedahttp://www.blogger.com/profile/05205889222836197921noreply@blogger.com1tag:blogger.com,1999:blog-4418411241663597112.post-2235873238589943322014-09-30T19:49:00.000+09:002014-09-30T19:49:13.748+09:00works 2014, Nr.2<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgU4rbIvNBzCwPbtGcvKS92JzXdExU7lKGZfOkEG0pHyT1wTOfiI-6pVQKN85LKsA_bDavEMMK2rnfR10M4D8sj2N0-wG5rq0mEfIaTkRNb4cFaM-E_mgxwAUUyOMyrhFC7R6FA4bsEgz9N/s1600/RIMG0503.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgU4rbIvNBzCwPbtGcvKS92JzXdExU7lKGZfOkEG0pHyT1wTOfiI-6pVQKN85LKsA_bDavEMMK2rnfR10M4D8sj2N0-wG5rq0mEfIaTkRNb4cFaM-E_mgxwAUUyOMyrhFC7R6FA4bsEgz9N/s1600/RIMG0503.JPG" height="640" width="558" /></a></div>
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<span style="background-color: white; color: #454545; font-family: 'MS UI Gothic', Osaka, Arial, sans-serif; font-size: 16px; text-align: start;">150 x 130 cm, oil on canvas.</span></div>
<br />前田 晴子 Haruko Maedahttp://www.blogger.com/profile/05205889222836197921noreply@blogger.com52tag:blogger.com,1999:blog-4418411241663597112.post-8632692838700212062014-09-30T19:42:00.001+09:002014-09-30T19:57:24.854+09:00works 2014 Nr. 1<table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: right; margin-left: 1em; text-align: right;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgOMAZpbRYwcH5Q3bes0-LfTQZOTG4aTfh4kj1AA8pYyJVURUND6koT4l6_ius-hlUetIPP6nXfuPCgRYb7TBkP37VzE1kX2zUkmLSj7lRN1hgbSQGBSoVhhZU-x0Hh00o9JbSjLQokeKlo/s1600/RIMG0488.JPG" imageanchor="1" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgOMAZpbRYwcH5Q3bes0-LfTQZOTG4aTfh4kj1AA8pYyJVURUND6koT4l6_ius-hlUetIPP6nXfuPCgRYb7TBkP37VzE1kX2zUkmLSj7lRN1hgbSQGBSoVhhZU-x0Hh00o9JbSjLQokeKlo/s1600/RIMG0488.JPG" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">説明を追加</td></tr>
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"Neverland 2" <span style="background-color: white; color: #454545; font-family: 'MS UI Gothic', Osaka, Arial, sans-serif; font-size: 16px;">240 x 190 cm, oil on canvas, 2014, private collection</span></div>
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<span style="background-color: white; color: #454545; font-family: 'MS UI Gothic', Osaka, Arial, sans-serif; font-size: 16px;"> (sorry about an electric light bulb on the painting!)</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiGb8bMN_8DahxjGs9DuQx_Tk8miLSdth3Y7t3Fj2yOXtZAl6OkHqqoMZYISmd_19gbzySCS1fHiBHU17U6yFIHn__ItS-TgU8JNZQIdmbqS83aLKM7LwJkAzhkRN-3gwRx5okhOVtBGabp/s1600/RIMG0481.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiGb8bMN_8DahxjGs9DuQx_Tk8miLSdth3Y7t3Fj2yOXtZAl6OkHqqoMZYISmd_19gbzySCS1fHiBHU17U6yFIHn__ItS-TgU8JNZQIdmbqS83aLKM7LwJkAzhkRN-3gwRx5okhOVtBGabp/s1600/RIMG0481.JPG" height="452" width="640" /></a></div>
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<br />前田 晴子 Haruko Maedahttp://www.blogger.com/profile/05205889222836197921noreply@blogger.com467tag:blogger.com,1999:blog-4418411241663597112.post-78361946937739933542013-06-29T19:23:00.003+09:002013-06-29T19:23:57.190+09:00Works of 2012 <div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgyWA3kPWQ2urQwEF6fTpsb2bTPDdKBJiOIY8tvzaEet36MbbFmTGgpcyxzfvwcgbLTvsZ3dTMZHPFbtxxjShY6fws2LL-Actlrrh9sYMVE-ZJKJu8GC5sWndADtCWUQill8iS-9rgkryTc/s1600/DSC04975.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgyWA3kPWQ2urQwEF6fTpsb2bTPDdKBJiOIY8tvzaEet36MbbFmTGgpcyxzfvwcgbLTvsZ3dTMZHPFbtxxjShY6fws2LL-Actlrrh9sYMVE-ZJKJu8GC5sWndADtCWUQill8iS-9rgkryTc/s400/DSC04975.JPG" width="312" /></a></div>
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<span style="font-size: x-small;">"Butterflies for Elisabeth Kübler-Ross" 2012</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgGVjQzxGUdafQSZ-jiViWcg9_9O2qwHR6i1QiYnupB93NyJnVWftzoCDsHhG74laTmRPH9NacfJdYl5VBT_qMmZ_tMiZIaNHIDkpYF4KloqyOQgmRjOXHub-VMkHunrTw7Obq5FrFJI72_/s1600/DSC04970.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgGVjQzxGUdafQSZ-jiViWcg9_9O2qwHR6i1QiYnupB93NyJnVWftzoCDsHhG74laTmRPH9NacfJdYl5VBT_qMmZ_tMiZIaNHIDkpYF4KloqyOQgmRjOXHub-VMkHunrTw7Obq5FrFJI72_/s400/DSC04970.JPG" width="350" /></a></div>
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<span style="font-size: x-small;">"Heartbeat of the death 8" 2012</span></div>
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<span style="font-size: x-small;">Drawing on paper 2012</span></div>
<br />前田 晴子 Haruko Maedahttp://www.blogger.com/profile/05205889222836197921noreply@blogger.com1tag:blogger.com,1999:blog-4418411241663597112.post-79080930890921008372013-06-25T21:45:00.000+09:002013-06-25T21:52:35.501+09:00Groupexhibition "Julie Heffernan, Haruko Maeda, Dolly Thompsett" at All visual arts London 21.June. ~ 17. August. 2013<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgrQot1jiw5WXLWyOQSRKOuI8Cq1HF-FzEwY-v596IvvYu7ZLRvr7t0lw6bsqm-ojnioPh8rgamt1Dxj60gYi3q8mu6tV8zZrZdaGRbx_vlU0PILkijVu2gGtGPG6Kc-m0lQQsTqRGiPkpT/s1600/DSC05344.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgrQot1jiw5WXLWyOQSRKOuI8Cq1HF-FzEwY-v596IvvYu7ZLRvr7t0lw6bsqm-ojnioPh8rgamt1Dxj60gYi3q8mu6tV8zZrZdaGRbx_vlU0PILkijVu2gGtGPG6Kc-m0lQQsTqRGiPkpT/s640/DSC05344.JPG" width="424" /></a></div>
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<span style="font-size: x-small;">"Love explosion" 2013, watercolor and felt pen on paper in frame, 136x100cm</span></div>
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<span style="font-size: x-small;">"Schwarzwald 3", 2013, oil on canvas, 170 x 160 cm</span></div>
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<span style="font-size: x-small;">"One day of Henry´s life" 2013, oil on canvas, 40 x 50 cm</span></div>
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<span style="font-size: x-small;">"Heartbeat of the Death- Queen Elizabeth the first" 2013, oil on canvas, 210 x 170 cm</span></div>
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前田 晴子 Haruko Maedahttp://www.blogger.com/profile/05205889222836197921noreply@blogger.com0tag:blogger.com,1999:blog-4418411241663597112.post-4317814211749816242013-06-05T20:18:00.002+09:002013-06-05T20:18:31.665+09:00<div style="text-align: center;">
<span style="font-family: Arial, Helvetica, sans-serif;">Group exhibition<b> "</b></span><span style="font-family: Arial, Helvetica, sans-serif; font-size: inherit; font-weight: bold; line-height: 18px;">Julie Heffernan, Haruko Maeda, Dolly Thompsett"</span></div>
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<b><span style="font-family: Arial, Helvetica, sans-serif; font-size: inherit; line-height: 18px;">at All visual arts London </span></b></div>
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<span style="font-size: inherit; line-height: 18px;"><span style="font-family: Arial, Helvetica, sans-serif;">Opening: 20. June. 2013 </span></span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;"><br style="font-size: 14px; line-height: 18px; text-align: start;" /><span style="font-size: 14px; line-height: 18px; text-align: start;">2 Omega Place</span><br style="font-size: 14px; line-height: 18px; text-align: start;" /><span style="font-size: 14px; line-height: 18px; text-align: start;">Kings Cross</span><br style="font-size: 14px; line-height: 18px; text-align: start;" /><span style="font-size: 14px; line-height: 18px; text-align: start;">London N1 9DR</span><br style="font-size: 14px; line-height: 18px; text-align: start;" /><span style="font-size: 14px; line-height: 18px; text-align: start;">United Kingdom </span></span></div>
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<span style="font-size: xx-small;">"Heartbeat of the death- Queen Elizabeth the first"2013, oil on canvas, 210 x170 cm</span></div>
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<a href="http://www.allvisualarts.org/exhibitions/JulieHeffernanHarukoMaedaDollyThompsett.aspx" target="_blank">http://www.allvisualarts.org/exhibitions/JulieHeffernanHarukoMaedaDollyThompsett.aspx</a></div>
前田 晴子 Haruko Maedahttp://www.blogger.com/profile/05205889222836197921noreply@blogger.com0tag:blogger.com,1999:blog-4418411241663597112.post-25929203730346979022013-03-22T04:26:00.000+09:002013-03-24T07:29:09.495+09:00<br />
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<span style="font-family: TimesNewRomanPS-BoldMT;"><span style="font-size: medium;"><b>Heartbeat
of Death</b></span></span></div>
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<span style="font-family: Times New Roman, serif;"><span style="font-family: TimesNewRomanPSMT;"><span style="font-size: medium;">Memento
Mori</span></span></span><br />
<span style="font-family: Times New Roman, serif;"><span style="font-family: TimesNewRomanPSMT;"><span style="font-size: medium;"><br /></span></span></span></div>
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<span style="font-family: Times New Roman, serif;"><span style="font-family: TimesNewRomanPSMT;">Accepting
death is very difficult for human beings, although all living
creatures are bound to die one day. Death is experienced just once in
a lifetime. It is impossible to know in advance what we will feel at
the moment of dying and what may come afterwards. I, too, have
experienced the death of persons close to me. This was very painful
and hard to understand. In our life, it is basically impossible to
ignore death.</span></span></div>
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<span style="font-family: Times New Roman, serif;"><span style="font-family: TimesNewRomanPSMT;">In
2011, the unexpected earthquake and disastrous tsunami in
north-eastern Japan and the accident at the nuclear power station of
Fukushima run by Tepco profoundly shocked people all over the world,
including myself. Suddenly, thousands of persons died under the black
and turbid waters of the tsunami in a formerly peaceful province,
while the survivors are now living in fear of diseases caused by
radioactive contamination. It occurred to me that “Memento Mori”
is still a valid concept.</span></span><br />
<span style="font-family: Times New Roman, serif;"><span style="font-family: TimesNewRomanPSMT;"><br /></span></span>
<br />
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<span style="font-family: Times New Roman, serif;"><span style="font-family: TimesNewRomanPSMT;">One
of my works is entitled “Heartbeat of the Death 2“</span><sup><span style="font-family: TimesNewRomanPSMT;"><span style="font-size: x-small;">*1</span></span></sup><span style="font-family: TimesNewRomanPSMT;">.
This painting, in which I depict a princess as a skeleton, in a way
references the portrait of the Infanta Margarita by Diego Velazquez.
Her portraits were painted at age three, five and eight years. The
young, naive expression of the princess, who is shown in the painting
standing perfectly still like a doll in her magnificent dress,
enchanted me. But contrary to the first impression of this lovely
young girl, her life was blighted by calamity. After repeated
miscarriages due to the frequent intermarriages in the Habsburg
family and several live births, she died at only 22 years of age. Of
her six children, only one daughter survived. I contemplated the
painting, imagining the short future ahead of this child, and it
seemed to me as if a shadow of death were suddenly looming over her
innocent, frail body.</span></span></div>
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<span style="font-size: x-small;"> *1 </span><span style="font-family: TimesNewRomanPSMT; font-size: x-small;">“Heartbeat of the Death 2“, oil on canvas, 2009 (Olbricht collection)</span></div>
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<span style="font-size: x-small;"><span style="font-family: TimesNewRomanPSMT;"><br /></span></span></div>
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<span style="font-family: Times New Roman, serif;"><span style="font-family: TimesNewRomanPSMT;">Since
moving to Austria, I have time and again encountered signs of death
in everyday life. An example: when I go out shopping, the doors of
the Ursuline Church at half-point of the Linz Landstrasse are usually
open. I enter rather aimlessly and see small, shiny relics of saints’
bodies lying still in the middle side chapel and in the crypt
downstairs. They were brought to the Ursuline Church around the
mid-18</span><sup><span style="font-family: TimesNewRomanPSMT;">th</span></sup><span style="font-family: TimesNewRomanPSMT;">
century, in the Baroque era. The small bone-bodies dressed in
delicate adornments – like cobwebs sprinkled with dew – seem to
lie sleeping, right beside the main street bustling with life.</span></span></div>
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<span style="font-family: Times New Roman, serif;"><span style="font-family: TimesNewRomanPSMT;">I
continue my shopping trip and find a notice board beside a chocolate
shop. It lists the names of recently deceased persons with their
photos and years of birth and death. Reading the lists from top to
bottom, I develop a personal relationship with the dead, although
they are total strangers to me. This is the same feeling I experience
towards the adorned saints’ bodies in the Ursuline Church and
towards the Infanta Margarita in her portrait.</span></span></div>
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<br /></div>
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<span style="font-family: Times New Roman, serif;"><span style="font-family: TimesNewRomanPSMT;">My
own biographical history and the history interpreted by me influence
my artistic output by taking the form of a question about existence,
life and death.</span></span></div>
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<span style="font-family: Times New Roman, serif;"><span style="font-family: TimesNewRomanPSMT;"><span style="font-size: medium;">Polarity
in Objects and in Identity</span></span></span></div>
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<span style="font-family: Times New Roman, serif;"><span style="font-family: TimesNewRomanPSMT;"><span style="font-size: medium;"><br /></span></span></span></div>
<div style="margin-bottom: 0cm;">
“<span style="font-family: Times New Roman, serif;"><span style="font-family: TimesNewRomanPSMT;">Beauty
in ugliness and fear” plays an important role in my work. As a
young girl attending the lower forms of primary school, I read
several Japanese horror manga</span><sup><span style="font-family: TimesNewRomanPSMT;">*</span></sup><sup><span style="font-family: TimesNewRomanPSMT;"><span style="font-size: x-small;">2</span></span></sup><span style="font-family: TimesNewRomanPSMT;"><span style="font-size: x-small;">
</span></span><span style="font-family: TimesNewRomanPSMT;">– furtively, like a
teenage boy might surreptitiously read a porn magazine. Somehow I
realised that the books belonged to a category a young child is not
supposed to read. And yet I was fascinated by</span></span><span style="font-family: TimesNewRomanPSMT;">these
manga because I had discovered a hidden beauty in their insane,
terrifying and ugly imagery.</span></div>
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<span style="font-family: Times New Roman, serif;"><span style="font-family: TimesNewRomanPSMT;"><span style="font-size: x-small;"><span lang="sv-SE"> *2,
Horror</span></span></span><span style="font-family: TimesNewRomanPSMT;"><span style="font-size: x-small;"><span lang="sv-SE">
manga ”Orochi“ by Umezu Kazuo</span></span></span></span></div>
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<span style="font-family: Times New Roman, serif;"><span style="font-family: TimesNewRomanPSMT;"><span style="font-size: x-small;"><span lang="sv-SE"><br /></span></span></span></span></div>
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<span style="font-family: Times New Roman, serif;"><span style="font-family: TimesNewRomanPSMT;"><span style="font-size: x-small;"><span lang="sv-SE"><br /></span></span></span></span></div>
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<span style="font-family: Times New Roman, serif;"><span style="font-family: TimesNewRomanPSMT;"><span style="font-size: x-small;"> *3,
Painting of ghost by Maruyama Ōkyo, 1785</span></span></span></div>
<div style="margin-bottom: 0cm; text-align: center;">
<span style="font-family: Times New Roman, serif;"><span style="font-family: TimesNewRomanPSMT;"><span style="font-size: x-small;"><br /></span></span></span></div>
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<span style="font-family: TimesNewRomanPSMT; font-size: x-small;"><br /></span></div>
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<span style="font-family: Times New Roman, serif;"><span style="font-family: TimesNewRomanPSMT;">In
the Japanese horror tradition (in movies, manga, novels and paintings
of ghosts since the Edo period</span><sup><span style="font-family: TimesNewRomanPSMT;">*</span></sup><sup><span style="font-family: TimesNewRomanPSMT;"><span style="font-size: x-small;">3</span></span></sup><span style="font-family: TimesNewRomanPSMT;"><span style="font-size: x-small;">
</span></span><span style="font-family: TimesNewRomanPSMT;">(from 1603 to 1868)),
long black hair is a symbol. This long black hair inspires fear and
uneasiness if the context is a creepy one, although long hair is also
considered a symbol of female beauty.</span></span></div>
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<div style="margin-bottom: 0cm;">
<span style="font-family: Times New Roman, serif;"><span style="font-family: TimesNewRomanPSMT;">A
cardinal point of my art and something that I am always looking for
in my work is the inherent polarity of objects, which may change into
the opposite due to contrary expressions and interpretations (like
the juxtaposition of beauty and fear in connection with long hair),
as well as the identity of objects that render opposites
indistinguishable due to common, shared qualities (such as the beauty
in ugliness I found in the horror manga).</span></span></div>
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<span style="font-family: Times New Roman, serif;"><span style="font-family: TimesNewRomanPSMT;">I
am intrigued by the music video and live performance of Lady Gaga’s
“Paparazzi”</span><sup><span style="font-family: TimesNewRomanPSMT;">*</span></sup><sup><span style="font-family: TimesNewRomanPSMT;"><span style="font-size: x-small;">4</span></span></sup><span style="font-family: TimesNewRomanPSMT;"><span style="font-size: x-small;">
</span></span><span style="font-family: TimesNewRomanPSMT;">because opposites –
love and hate, life and death, justice and violence, trust and
betrayal, sanctity and baseness, beauty and ugliness – co-exist
side by side within one mise-en-scène. The spectator is disturbed by
these extremes, yet the dynamics of their co-existence are at the
same time overwhelming.</span></span></div>
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<span style="font-family: Times New Roman, serif;"><span style="font-family: TimesNewRomanPSMT;"><br /></span></span></div>
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<span style="font-family: TimesNewRomanPSMT;"><span lang="it-IT"> *</span></span><span style="font-family: TimesNewRomanPSMT;"><span style="font-size: x-small;"><span lang="it-IT">4,
Lady Gaga, live performance “Paparazzi“, 2009</span></span></span></div>
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<span style="font-family: Times New Roman, serif;"><span style="font-family: TimesNewRomanPSMT;">Bones
and organs, gemstones and plants are materials frequently used in my
current work. Bones, flesh and blood are the origin of life; when
they issue forth from the body, they change into signs of hideous
death. But drops of blood and broken shards of bone may also look
like glittering rubies or silky-smooth pearls. Exposed nerves and
flesh may resemble vigorous, lovely stalks and flowers.</span></span></div>
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<span style="font-family: Times New Roman, serif;"><span style="font-family: TimesNewRomanPSMT;"><br /></span></span></div>
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<span style="font-family: Times New Roman, serif;"><span style="font-family: TimesNewRomanPSMT;"><br /></span></span></div>
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<span style="font-family: Times New Roman, serif;"><span style="font-family: TimesNewRomanPSMT;"><span style="font-size: medium;">Heartbeat
of Death</span></span></span></div>
<div style="margin-bottom: 0cm;">
<span style="font-family: Times New Roman, serif;"><span style="font-family: TimesNewRomanPSMT;">Death
and life are the themes of my artistic work. Although they are
diametrically opposed, they are actually adjoining. Although they are
far removed from each other, they yet come very close. From the
moment of our birth, we move inexorably towards death, day after day.
After life, death comes for each and every one of us without
exception.</span></span></div>
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<div style="margin-bottom: 0cm;">
<span style="font-family: Times New Roman, serif;"><span style="font-family: TimesNewRomanPSMT;">In
my mind, the original significance of relics is that the remains
(death) are still imbued with energy (life), like the eternal
heartbeats of death. Like a dead body dressed in gleaming stones, I
am looking for the dynamics of my artistic work, where beauty and
ugliness, life and death co-exist in contradiction.</span></span></div>
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<div style="margin-bottom: 0cm;">
<span style="font-family: TimesNewRomanPSMT;">Haruko
Maeda, 2012</span><br />
<span style="font-family: TimesNewRomanPSMT;"><br /></span>
<span style="font-family: TimesNewRomanPSMT;">(Translator: Sigrid Szabo)</span></div>
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前田 晴子 Haruko Maedahttp://www.blogger.com/profile/05205889222836197921noreply@blogger.com0tag:blogger.com,1999:blog-4418411241663597112.post-37671102825250236832013-03-12T00:33:00.000+09:002013-03-12T00:44:14.923+09:00VOLTA NY 2013 in New York<div class="separator" style="clear: both; text-align: center;">
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前田 晴子 Haruko Maedahttp://www.blogger.com/profile/05205889222836197921noreply@blogger.com0tag:blogger.com,1999:blog-4418411241663597112.post-30905402349047569882012-10-22T21:28:00.000+09:002012-10-22T21:37:29.478+09:00Exhibition "Haruko Maeda" at Christian Larsen gallery Stockholm sweden 2012<a href="http://www.christianlarsen.se/"></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgy3OC9Sne95TRNkVcrAoeMhTfHphuUqkexZzzqZUAvWfHMykmFu2pQKOdreYKGTDpQ_yBgnYi0bngM2e8zR3LqqiJ586BbppnSdF5nN2ocRaCD0WXVG9tiEV1gpAe4JiMrsuaNe3Pt8ULA/s1600/DSC_1012+Kopiekorr2+%25283%2529.JPEG" imageanchor="1"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgy3OC9Sne95TRNkVcrAoeMhTfHphuUqkexZzzqZUAvWfHMykmFu2pQKOdreYKGTDpQ_yBgnYi0bngM2e8zR3LqqiJ586BbppnSdF5nN2ocRaCD0WXVG9tiEV1gpAe4JiMrsuaNe3Pt8ULA/s400/DSC_1012+Kopiekorr2+%25283%2529.JPEG" width="376" /></a>
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前田 晴子 Haruko Maedahttp://www.blogger.com/profile/05205889222836197921noreply@blogger.com0tag:blogger.com,1999:blog-4418411241663597112.post-49945992802986819042012-10-22T20:43:00.000+09:002012-10-22T20:43:48.453+09:00Diplompräsentation 2012 Jänner<div class="separator" style="clear: both; text-align: center;">
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Diplomabschlusspräsentation in der Krypta der Ursulinenkirche Linz 2012
卒業制作展示風景 ウアズリーネン教会地下聖堂 2012年1月<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhkHo8xanbwPozazj7HglFVG_zpVUHIe3mSHXRdGDK09CAhj82H_wG0how9bffnYH-xtoJaiXhl2ehDlXJ02et3B1cbmRIH4Llo7akAyAlsKfmgK45ZtIUOTeAuNnSn_snCR0aD6N6kAtme/s1600/DSC_1012+Kopiekorr+%25282%2529.JPEG" imageanchor="1" style=""><img border="0" height="400" width="266" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhkHo8xanbwPozazj7HglFVG_zpVUHIe3mSHXRdGDK09CAhj82H_wG0how9bffnYH-xtoJaiXhl2ehDlXJ02et3B1cbmRIH4Llo7akAyAlsKfmgK45ZtIUOTeAuNnSn_snCR0aD6N6kAtme/s400/DSC_1012+Kopiekorr+%25282%2529.JPEG" /></a>
前田 晴子 Haruko Maedahttp://www.blogger.com/profile/05205889222836197921noreply@blogger.com0