In her works, the artist refers to the relationship of Japanese society with its pets. There are for instance more and more new breeds of dogs, which have only the size of toy animals. At the same time, Tamagochi and the robot dog Aibo originated from Japan. Both are articial creatures, which have to be raised, fed and dressed virtually. The borderline between real and virtual life gets blurred, the contact with these virtual beings and the actual pets becomes equally abstract and both phenomena resemble each other. Considering the self-conception of this “Tamagochi-generation”, Maeda with her naturalistic representations of hybrids takes these mutations to an extreme. Monkeys receive butterfly wings, little lambs with peacock feather tails gather in living rooms and panthers grow out of cactus pots.
前田晴子 Born 1983 in Tokyo, Japan.
Since 2005 studies at Art university Linz, Austria.
Scholarships:
2007,2009, Achievementscholarship of art university Linz.
Residence:
2009-2010, Residence at Studiohaus Salzamt, Linz.
Collection: Land NiederÖsterreich.
Olbricht Collection.
Exhibitions(solo):
2012: "Haruko Maeda" Christian Larsen Gallery Stockholm
2011:"Alle Heillige" Ursulinen Kirche, Linz
2010: "Wasserwerfer"(Collaboration mit Philippe Gerlach), Galerie LOVE, Vienna.
"R.I.P" (with Philipp Hanich), Galerie Paradigma, Linz
2009: "pets" Thomas K Lang gallery at webster university Vienna
2007: "Süße Kreaturen" Galerie Simone Feichtner, Linz
Groupexhibitions (selection)
2013: "Julie Heffernan, Haruko Maeda, Dolly Thompsett" at All visual Arts, London
2011: "Von Engeln und Bengeln" Kunsthalle Krems, "Im Garten" Nordico, "mémoires du futur, la collection olbricht" La Maison Rouge, Paris.
2010: Global studio Exhibition, Bluecoat gallery, Liverpool.
"Die edlen Früchte und die gouvernante", Schloss harmannsdorf.
2008: "Ich habe nicht genug, ihr matten Augen", Universal cube at Spinnerei, Leipzig
2007: "Look at me!", Schloss Goldegg
2006: "Fauna hybrid", Galerie Charim, Vienna